Revolusi! Indonesia Independent

The Rijksmuseum presents Revolusi! Indonesia Independent, from 11 February to 5 June 2022. The exhibition - curated by Dutch and Indonesian curators - offers an international perspective on the struggle for independence of Indonesia during the 1945-1949 period. The focus is on people who experienced the revolution at close quarters: fighters, artists, diplomats, politicians, journalists and others. Their individual experiences reflect a history with many faces and many voices.

The Indonesian revolution had an important part to play in 20th-century world history, with Indonesia being one of the trailblazers on the road to decolonization and independence after the Second World War. Many countries would follow in the next two decades.

The more than 200 objects on display - with loans from Australia, Belgium, United Kingdom, Indonesia and the Netherlands - are witnesses to this turbulent past. From privately-owned keepsakes to paintings loaned out for the first time by Indonesian art collections.

The exhibition includes photographs and documents such as posters and pamphlets that were confiscated by Dutch military intelligence agencies in this period. We are able to exhibit this historical material for the first time through a partnership with the Dutch National Archive in The Hague.

Revolusi! begins with Sukarno’s declaration of Indonesian independence on 17 August 1945. The closing chord is Sukarno’s triumphant return to the country on 28 December 1949, the day after the transfer of sovereignty by the Dutch. The exhibition focuses on the period between these two events, on the spirit of the revolution and struggle for the future of Indonesia. It explores subjects such as nationalism, youth, anti-colonialism, art, war and diplomacy, propaganda, renewal, the information war and refugees. The thread running through the exhibition is its focus on the experiences of 20 individuals – each at a different location, and each with their own background and political standpoint.

The revolution was a period of experimentation and creativity for Indonesian nationalists. Artists, in conjunction with politicians, formed a modern revolutionary vanguard. Paintings hung in government buildings to represent the Indonesian revolution. The streets were alive with posters, graffiti and pamphlets. Art served as a political instrument to propagate Indonesian independence at home and abroad. Politically engaged Indonesian artists depicted subjects such as comradeship, leadership, armed combat, the fervour of youth, and militancy. This joint effort by the people of Indonesia established the defining image of the revolution. In the exhibition works are on display by Trubus Soedarsono, S. Sudjojono, Otto Djaya, Basuki Abdullah, Hendra Gunawan, Kusuma Affandi en Henk Ngantung.

Yogyakarta-based artist Timoteus Anggawan Kusno (b. 1989) is making an artwork especially for the exhibition consisting of objects in the Rijksmuseum collection whose origins can be traced to the colonial period, evoking and giving voice to the decades-long resistance that preceded the Indonesian revolution and the consequences of the colonial experience in today’s world.

Loans have been committed by ao Affandi Museum Yogyakarta, Galeri Nasional of Indonesia, Jakarta Art Council, Museum Seni Rupa Jakarta, Museum Komunikasi dan Informatika Jakarta, Museum Universtas Pelita Harapan Tangerang, Imperial War Museum London, National Library of Australia, Tropenmuseum Amsterdam, University Library Leiden, Museum Bronbeek Arnhem, National Archive The Hague, Internationaal Instituut voor Sociale Geschiedenis Amsterdam, Nationaal Museum voor Wereldculturen, Nationaal Militair Museum, and private collections and families.

The exhibition will be accompanied by the book Revolusi! Indonesia Independent, with contributions by Harm Stevens, Amir Sidharta, Bonnie Triyana, Marion Anker, Remco Raben, Yudhi Soerjoatmodjo, Aminudin TH Siregar and Anne-Lot Hoek.
Cover and design: Irma Boom Office. Published by Atlas Contact
ISBN English 978 90 450 4575 7 | ISBN Dutch 978 90 450 4573 3

For visitors interested in more in-depth insights, and for people who are unable to come to the museum in person, there will also be an online version of Revolusi! An interactive world map will introduce visitors to ten eyewitnesses and their stories, told through objects, photos and film experts.

The exhibition Revolusi! Indonesia Independent is curated by Harm Stevens, Curator of History, Rijksmuseum, Amir Sidharta, curator and researcher, Director of Museum Lippo / Museum Universitas Pelita Harapan, Tangerang, and co-founder of Sidharta Auctioneer based in Jakarta, Bonnie Triyana, historian and Editor-in-Chief of Historia.ID, based in Jakarta, Marion Anker, Junior Curator of History, Rijksmuseum. The team is advised by Aminudin T.H. Siregar, PhD candidate in Art History, Leiden University and Remco Raben, Remco Raben, professor by special appointment of Colonial and Postcolonial Literature and Cultural History, University of Amsterdam.

The team is advised by Aminudin T.H. Siregar, PhD candidate in Art History, Leiden University and Remco Raben, Remco Raben, professor by special appointment of Colonial and Postcolonial Literature and Cultural History, University of Amsterdam and Elwin Hendrikse, photographic collections specialist at The National Archives of the Netherlands.

The exhibition, book and programme are the result of extensive cooperation with a wide variety of experts, including historians, heritage experts, cultural entrepreneurs, artists, writers, theatre practitioners and artists, as well as fellow institutions.

The exhibition design is by Wilmotte & Associés, with graphic design by Irma Boom Office. Duinzand provides advice on the exhibition concept and is responsible for the projections.

The appointment of the Indonesian curators Amir Sidharta and Bonnie Triyana has been made possible by the Johan Huizinga Fund / Rijksmuseum Fund. The additional programme accompanying the exhibition with room for dialogue has been made possible in part by vfonds.

The Rijksmuseum is grateful for all forms of support it receives. More than ever, it is clear that government funding, contributions from the business community, and funds, donations, legacies and Friends are and will remain essential for the Rijksmuseum.